Click here …the dry salvages
For reading click here .. poem in october – dylan thomas
“the mussel pooled and heron Priested shore”
It was my thirtieth year to heaven
Woke to my hearing from harbour and neighbour wood
And the mussel pooled and the heron
The morning beckon
With water praying and call of seagull and rook
And the knock of sailing boats on the net webbed wall
Myself to set foot
In the still sleeping town and set forth.
My birthday began with the water-
Birds and the birds of the winged trees flying my name
Above the farms and the white horses
And I rose
In rainy autumn
And walked abroad in a shower of all my days.
High tide and the heron dived when I took the road
Over the border
And the gates
Of the town closed as the town awoke.
A springful of larks in a rolling
Cloud and the roadside bushes brimming with whistling
Blackbirds and the sun of October
On the hill’s shoulder,
Here were fond climates and sweet singers suddenly
Come in the morning where I wandered and listened
To the rain wringing
Wind blow cold
In the wood faraway under me.
Pale rain over the dwindling harbour
And over the sea wet church the size of a snail
With its horns through mist and the castle
Brown as owls
But all the gardens
Of spring and summer were blooming in the tall tales
Beyond the border and under the lark full cloud.
There could I marvel
Away but the weather turned around.
It turned away from the blithe country
And down the other air and the blue altered sky
Streamed again a wonder of summer
Pears and red currants
And I saw in the turning so clearly a child’s
Forgotten mornings when he walked with his mother
Through the parables
Of sun light
And the legends of the green chapels
And the twice told fields of infancy
That his tears burned my cheeks and his heart moved in mine.
These were the woods the river and sea
Where a boy
In the listening
Summertime of the dead whispered the truth of his joy
To the trees and the stones and the fish in the tide.
And the mystery
Still in the water and singingbirds.
And there could I marvel my birthday
Away but the weather turned around. And the true
Joy of the long dead child sang burning
In the sun.
It was my thirtieth
Year to heaven stood there then in the summer noon
Though the town below lay leaved with October blood.
O may my heart’s truth
Still be sung
On this high hill in a year’s turning.
For reading click here …the darkling thrush thomas hardy
I leant upon a coppice gate
When Frost was spectre-grey,
And Winter’s dregs made desolate
The weakening eye of day.
The tangled bine-stems scored the sky
Like strings of broken lyres,
And all mankind that haunted nigh
Had sought their household fires.
The land’s sharp features seemed to be
The Century’s corpse outleant,
His crypt the cloudy canopy,
The wind his death-lament.
The ancient pulse of germ and birth
Was shrunken hard and dry,
And every spirit upon earth
Seemed fervourless as I.
At once a voice arose among
The bleak twigs overhead
In a full-hearted evensong
Of joy illimited;
An aged thrush, frail, gaunt and small,
In blast-beruffled plume,
Had chosen thus to fling his soul
Upon the growing gloom.
So little cause for carolings
Of such ecstatic sound
Was written on terrestrial things
Afar or nigh around,
That I could think there trembled through
His happy good-night air
Some blessed Hope, whereof he knew
And I was unaware.
For reading click here …surprised to joy
What is the colour of silence?
Here presently co-occupied
Fire and rosary’s concrescence
Or shirt of flame thus belied?
What pattern the fret-saw begets
In knot-stitch broider’d relief
A surf-line that curves as it whets
sharply thrown stones of belief
Common be-cause with time’s passing
Caught in your fawn-liquid glance
Through hours our pow’rs thus amassing
Surprised to joy from this trance
In 1890 Rudyard Kipling wrote his poem “Tommy” – reading and words below. 130 years ago soldiers were the cannon fodder, heroes when the nation needed them – discarded and rejected when the fighting was over.
It strikes me that nursing, and all the staff of our NHS are the modern day equivalent. If you substitute Tommy – the soldier with Nurse, Porter, Doctor – in the poem you get a similar sense?
We must not forget their service, as we did with the injured soldiers in the 1890’s and since.
For reading click here …tommy – rudyard kipling
Tommy – Rudyard Kipling
I went into a public-‘ouse to get a pint o’ beer,
The publican ‘e up an’ sez, “We serve no red-coats here.”
The girls be’ind the bar they laughed an’ giggled fit to die,
I outs into the street again an’ to myself sez I:
O it’s Tommy this, an’ Tommy that, an’ “Tommy, go away”;
But it’s “Thank you, Mister Atkins”, when the band begins to play,
The band begins to play, my boys, the band begins to play,
O it’s “Thank you, Mister Atkins”, when the band begins to play.
I went into a theatre as sober as could be,
They gave a drunk civilian room, but ‘adn’t none for me;
They sent me to the gallery or round the music-‘alls,
But when it comes to fightin’, Lord! they’ll shove me in the stalls!
For it’s Tommy this, an’ Tommy that, an’ “Tommy, wait outside”;
But it’s “Special train for Atkins” when the trooper’s on the tide,
The troopship’s on the tide, my boys, the troopship’s on the tide,
O it’s “Special train for Atkins” when the trooper’s on the tide.
Yes, makin’ mock o’ uniforms that guard you while you sleep
Is cheaper than them uniforms, an’ they’re starvation cheap;
An’ hustlin’ drunken soldiers when they’re goin’ large a bit
Is five times better business than paradin’ in full kit.
Then it’s Tommy this, an’ Tommy that, an’ “Tommy, ‘ow’s yer soul?”
But it’s “Thin red line of ‘eroes” when the drums begin to roll,
The drums begin to roll, my boys, the drums begin to roll,
O it’s “Thin red line of ‘eroes” when the drums begin to roll.
We aren’t no thin red ‘eroes, nor we aren’t no blackguards too,
But single men in barricks, most remarkable like you;
An’ if sometimes our conduck isn’t all your fancy paints,
Why, single men in barricks don’t grow into plaster saints;
While it’s Tommy this, an’ Tommy that, an’ “Tommy, fall be’ind”,
But it’s “Please to walk in front, sir”, when there’s trouble in the wind,
There’s trouble in the wind, my boys, there’s trouble in the wind,
O it’s “Please to walk in front, sir”, when there’s trouble in the wind.
You talk o’ better food for us, an’ schools, an’ fires, an’ all:
We’ll wait for extry rations if you treat us rational.
Don’t mess about the cook-room slops, but prove it to our face
The Widow’s Uniform is not the soldier-man’s disgrace.
For it’s Tommy this, an’ Tommy that, an’ “Chuck him out, the brute!”
But it’s “Saviour of ‘is country” when the guns begin to shoot;
An’ it’s Tommy this, an’ Tommy that, an’ anything you please;
An’ Tommy ain’t a bloomin’ fool — you bet that Tommy sees!
“Twould make a monkey cough to see our way o’ doin’ things —
Lieutenants takin’ companies an’ captains takin’ wings,
An’ Lances actin’ Sergeants — eight file to obey —
For we’ve lots o’ quick promotion on ten deaths a day!”
Wikipedia: Brownian motion is the random motion of particles suspended in a liquid or a gas
TS Eliot The Dry Salvages: “I do not know much about gods; but I think that the river
Is a strong brown god-sullen, untamed and intractable”
For reading click here … Brownian motion
This life is like a river
A silver shiver this life
A gurgling-guddling quick’ning sliver
Wrangling-tangle of strife
All we be is water-taught
Aught but water our withal
Our tumbling jumbling ripple of thought
Pride before a waterfall
Strong brown God is the river
Reiver of sods and odds thrown
Our brownian drownian motion a-quiver
Deep pooled in tides of its own
Our day is like a lifetime
Wild thyme and strawberry day
But frighteningly nightly tight-coiling the lifeline
Which runs through death and decay
Well the still point of the world
Whirled without end to be well
For waving and curling dimensions unfurled
Love which is ocean’s salt swell
I’m bumbling bee not its sting
Flight of the gull not its wing
Not noun or thing-y at all
‘Cos I’m the bounce of a ball
Hop of a bird and its call
The verb, I am is to be
Container containing set free
Strong brown god striving to sea
For reading click here … touching the flow
All is not as it seems. Physics and Philosophy are pointing us to integration rather than differentiation. To wholeness rather than fragmentation.
The Nobel prize physicist David Bohm proposed that language is reshaped to focus on verbs, rather than nouns (subjects & objects). He calls this a “rheomode”, reflecting a reality of flow, of movement. He also picks up the insight of existential philosopher Martin Buber that we are the sum of our relationships – each to each.
And it’s relationship of waves not matter. In recent work Milo Wolff has shown that when thought of as intersecting standing waves, then reality can be described by simple equations. It is no longer necessary to invent a veritable zoo of exotic particles – and “dark” matter and energy. Wolff’s work is not new, but based on work by Maxwell, Schrodinger and Einstein.
Our watchwords, or better – watching words – and focus is shifting..
From nouns – to verbs..From quanta – to waves..From individuals – to connections..From fragmentation – to wholeness
.. or as Teilhard de Chardin would say – to the Omega Point – where humanity awakens to the reality of the whole, love.
.. click here to hear reading fern hill
The poem starts as a straightforward evocation of his childhood visits to his Aunt Annie’s farm:
By the end, the poet’s older voice has taken over, mourning his lost youth with echoes of the opening:
The poem uses internal half rhyme and full rhyme as well as end rhyme. Thomas was very conscious of the effect of spoken or intoned verse and explored the potentialities of sound and rhythm, in a manner reminiscent of Gerard Manley Hopkins. He always denied having conscious knowledge of Welsh, but “his lines chime with internal consonantal correspondence..”